Recent Publications

  • “Laura Mulvey the Curious Cinephile.” New Review of Film and Television Studies 15.4 (2017): 441-445.
  • “Kluge’s Moments of Calm.” Stichwort: Kooperation. Keiner ist alleine schlau genug. Ed.Rainer Stollmann, Thomas Combrink and Gunther Martens. Göttingen: V&R Unipress, 2017. [Special edition of Aleander Kluge-Jahrbuch 4 | 2017]
  • “Gesamtkunstwerk.” Cambridge History of Modernism. Ed. Vincent Sherry.  Cambridge: Cambridge University Press, 2016. 273-288.
  • “Critical Theory and the German Studies Association.” German Studies Review 39.3 (2016): 553-563.
  • “Dreamtime: The Specter of Cinema.” The Art of Dreams: Reflections and Representations. Eds. Barbara Hahn and Meike G. Werner. Berlin: de Gruyter, 2016. 161-180.
  • “Concepts of Reading in the Digital Age.” Oxford Research Library of Literature. DOI: 10.1093/acrefore/9780190201098.013.2. Online Publication Date: August 2016.
  • On 24/7: Neoliberalism and the Undoing of Time. Co-edited with Necia Chronister. Special Issue of Studies in 20th & 21st Century Literature. Volume 40.2. 2016.
  • Introduction: On 24/7: Neoliberalism and the Undoing of Time.” Co-authored with Necia Chronister. Neoliberalism and the Undoing of Time. Eds. Necia Chronister and Lutz Koepnick. Special Issue of Studies in 20th & 21st Century Literature. Volume 40.2 (2016): 1-10.
  • “Fields of Resonance” (Napoleon Gallery, Philadelphia)
  • “Ripples of Sound” (The Promise of Cinema)
  • “Inside Kluge’s Cosmic Cinema: Critical Theory and Mobile Spectatorship Today.” Glass Shards: Echoes of a Message in a Bottle. Eds. Richard Langston, Gunter Martens, Vincent Pauval, Christian Schulte and Rainer Stollmann. Göttingen: V&R Unipress, 2015. 125-143. [Special edition of Alexander Kluge-Jahrbuch 2 | 2015]
  • “Writing after Kittler.” German Studies Review 38.1 (2015): 148-150.
  • “Not the End: Fritz Lang’s War.” A Companion to Fritz Lang. Ed. Joe McElhaney. Oxford: Wiley Blackwell, 2015. 415-429.
  • “Lorres Hände und die ‘Sprache des Exils’.” Peter Lorre: Der Mann der zuviel wusste. Eds. Brigitte Mayr and Michael. Vienna: Synema, 2014. 23-35.
  • “Looping Trauma.” New Literary Observer (Moscow). 126 (2014): 18-28. [In Russian]
  • “Can Computers Read?” Distant Readings: Topologies of German Culture in the Long Nineteenth Century. Eds. Matt Erlin and Lynne Tatlock. Rochester: Camden House, 2014. 333-346.
  • “Experimental Television @50: Paik and Screen-Based Installation Art Today.” NJP Reader #4: Exposition of Music. Ed. Seong Eun Kim. Seoul, South Korea: Nam June Paik Art Center, 2014. 110-121.
  • “실험 텔레비전, 그 후 50년: 백남준과 오늘날의 스크린-기반 설치 미술.” NJP Reader #4 음악의 전시. Ed. Seong Eun Kim. Seoul, South Korea: Nam June Paik Art Center, 2014. 96-109.
  • “Wagner and New Media.” The Cambridge Wagner Encyclopedia. Ed. Nicholas Vaszonyi. Cambridge: Cambridge University Press, 2014. 655-658.
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